Sunday, June 22, 2008

The Pillars of Love

Cột Trụ của Tình Thương

Mỗi sáng thức dậy (thường là vào những ngày cuối tuần) hoặc/và mỗi khi đi làm về, hể thấy bóng dáng ba là tôi vội kêu to:

“Lụ tầu!”
Dad!
Ba ơi!

Ba tôi liền hỏi lại:

“Mách dẹ?”
What is it?
Có chuyện gì vậy con?

Đôi lúc thì tôi hỏi tiếp,

“Nị hủ ma?”
How are you?
Ba có khỏe không?

Ba tôi luôn trả lời rằng:

“Hủ hủ…”
Good, good…
Ờ, khỏe, khỏe…

Và cả hai đều cười.
And we both laugh.

Thường thì cuộc đối thoại giữa hai cha con tôi chỉ đơn giản như thế thôi. Mặc dù hỏi để mà để hỏi, nhưng hỏi đó để tôi nhận biết là ba tôi còn đó và nghe đó để ba tôi hiểu rằng tôi luôn ở bên ba.

Saturday, May 10, 2008

A Summer Afternoon

Buổi Trưa

Thường sau bửa cơm trưa, người ta quen đặt lưng xuống nằm nghỉ. Nếu không ngủ thiếp đi được một giấc thì cũng nằm đó lắng nghe âm thanh của những bài ca vọng cổ Nam Bộ văng vẳng phát ra từ chiếc radio cũ kỷ.

Dù không như ở ngoại thành, tìm và nhìn kỷ thì nơi đô thị cũng không thiếu hình ảnh quen thuộc của một buổi trưa hè.

Trong cái không gian yên tịnh lẫn lộn tiếng động cơ của xe máy hòa cùng tiếng rao chào mua ve chai vui tai bên cạnh tiếng rao bán hàng rong ngọt lịm, đâu đó tiếng võng kẻo kẹt đưa nhịp nhàng theo lời ca êm dịu ru bé em say vào giấc ngủ.
Ầu ơ ví dầu, cầu ván đóng đinh,
cầu tre lắt lẻo, gập ghềnh khó đi…

Ôi đẹp thay, ôi yêu thay hình ảnh người mẹ ru con buổi trưa hè!


A Mother's Loving Touch
Photography made possible by Microsoft Office Online

Sunday, April 6, 2008

Sacha

Today, I’m finally letting Sacha goes after fifteen wonderful years of bringing joy and laughter to our family. As it was a hard decision, I do believe that we have made the right choice given the situation.

Here is to my beloved Sacha:

In Loving Memory of Sacha
1993-2008


Walking alone today, I’m calling out for you…
Go and transform beautifully as your true self!
But, do let me know of your sign, if you can.

Be assuring that you are not forgotten.
I see you in Spring when daffodils bloom.
I think of you in Winter when snow starts to fall.
And, I remember you always.


She is so Sacha!

Thursday, March 20, 2008

The Mid-Autumn Festival

Foreword
Back then, it was very exciting news as I learned from my English professor that an essay of mine was chosen to be presented by the English Composition Program at Shippensburg University of Pennsylvania in the Write the Ship 1996-1997: A Journal of College Writing.

Since English is a second language, I never once thought nor dreamt of having my essay for publication, not even in the school journal. So, the news came as a surprise. I honestly did not think of my writing presentable due to my lacking in sentence structure and grammar skills. Even today, I’m still continuing to learn in mastering the language. Nevertheless, it is undeniable that I was and I'm now glad to see that my essay is being shared with a larger audience, not just for the pride in having it published.

Looking back, I realize that I had tried to capture the essence of life in my writing besides the norms of story telling and creative writing for the sake of assignment grading. And it had become a trademark in my writing. Using sincere words from the heart, my hope is to reflect a sense of understanding with the readers who share the same feelings and life.

So, enjoy! And happy reading…


Write the Ship 1996-1997: A Journal of College Writing
Presented by the English Composition Program
at Shippensburg University of Pennsylvania
edited by Kim van Alkemade


The essay chosen from Basic Writing exhibits many sophisticated College Writing skills, including effective use of supporting sources and a strong, clear argument. While the writer continues to develop her mastery of sentence structure and grammar, I hope readers will appreciate both the content of her work and the accomplishment her essay represents.

- An excerpt from Introduction to Write the Ship
by Kim van Alkemade,
Director of Composition English Department,
Shippensburg University


The Mid-Autumn Festival
Written by M. Nguyen for Prof. Stewart's
Fall 1996 Writing 100 Course



There was not much going on in a small quarter near the “old market” in Saigon, Vietnam. The majority of the people in this quarter were made up of the laboring class. Everybody seemed busy with their daily lives; they worked hard without interruption all day long to make sure that there was enough food to feed their families. No matter how busy they were, they never forgot to celebrate the mid-autumn festival in the eighth month of the Lunar year. Annually, this festival is celebrated in the honor of the god of the moon.

Oo…oo...oo… A long siren sound, coming from the nearby harbor, signaled the beginning of a new day. Through the door in each house, there the flickering of the light from the oil-lamp. The children, crawling out of their beds, joined with the other members in the family to gather around the rice pot. The chilly wind in the morning blew off their thin piece of clothes to uncover the flatted bellies which clung nearly to their backs because the rice and water from last night did not last for long. Sometimes, the kids did not have any food, and they had to carry their empty stomachs to school. Around six o’clock, the quarter came to life. The street was filled with noises of the children who yelled and called each other to walk to school. In the meantime, the adults got ready to go to work as a porter or a small scale seller of food at the market. After the kids and the adults went off to school and work, the quarter was left behind with the quiet daily life of the elderly group. The elder males gathered to play chess, smoke cigarettes, and drink tea while the elder females dried coconut shells under the sun. The dried coconut shells were used in place of charcoals for cooking.

On the way to school, the kids were attracted by the mooncake and the lantern shops on two sides of the street. Their eyes and noses glued onto the glass displays of the mooncakes and the varieties of the hanging lanterns up above their heads. The fragrance of the cake was enough to make their mouths water. Standing in front of the shop, they dreamed about having a delicious mooncake or a colorful lantern on the night of the festival. Although, they themselves knew that their parents could not afford to buy it for them. Still, the kids comforted themselves by just looking at those things. But not for long, the store owners drove them away. The kids hurried off the place, and they ran to be on time for school. In class, they constantly thought about the mooncake when the math teacher drew the square on the blackboard. That was the longing of the poor children whose minds were filled with may sweet dreams while their lives were bitter in reality. The classes went very quickly. Soon, it was time go back home. On the way back, the kids talked to each other about the plan of making the homemade lantern.

At noon, the quarter came alive again when the kids got back from school. They raced each other into the kitchen to grasp something to eat. After which, they followed their grandmothers to pick up the discarded coconut shells at the market. Helping their grandmas was one of the things they liked to do. The other was the opportunity to visit the lantern and the mooncake stores. Returning from the market, they joined with each other to find the condensed milk cans in the garbage for making the lantern. After dinner, kids came together on the pavement to drill the holes around the side of the can and make the handle by connecting the wooden stick to its side. When they lit the candle inside the can, it looked like the reflections of the mirrored ball in a dance hall, flickering through the holes. The children loved to march this lantern on the night of the mid-autumn festival.

On the festival day, the adults came home earlier than normal. They bought some mooncakes from the bakery vendor on the street at a cheap price. They came home early to set up an altar with incenses, mooncakes, rice, salt, candies, and bananas to worship the heaven and the earth, and especially the god of the moon along with the family’s ancestors. The altar had to sit for a long time until the incenses were burned out. Meanwhile, the kids marched their lanterns around the quarter and sang songs. They share their candles and relit it when one of them was blown off by the wind. One of the kids was fortunate enough to have the real lantern. That lantern was shared to everybody in the group, and it was handled with a special care. Sitting in the circle with the lanterns, watching the moon, and singing the mid-autumn songs was the most beautiful thing to do. Life seemed hard, but it had its own beauty for all classes to enjoy. When it got late, the children had to come back to the house to have a piece of mooncake and drink tea. As the day was ended, the kids carefully wrapped their cans and the leftover candles in plastic bags to save for next year, and they went to bed waiting for the next morning to come.

The mid-autumn festival is one of the traditional festival which is celebrated by all Vietnamese and Chinese people. Each quarter had its own way of celebrating. Regardless of class and lacking of material things, the people still keep the traditional practice. Especially for the kids in the quarter of the “old market,” they had part of their dreams completed. When they got up the next morning even with their empty stomachs, they felt happy because this festival brought them together in love and brotherhood. Then, they could look back ten or twenty years later to have a sweet memory of what their childhood was like.~


PLEASE RESPECT ONE'S COPYRIGHTED WORK BY CITING THE ORIGINAL SOURCE.

Sunday, December 30, 2007

Que Ngoai

NOTE: For those who cannot view Vietnamese language from your web browser and those who cannot read Vietnamese, click on one of the provided links to appropriately download the desired language version of Que Ngoai in PDF format for your viewing convenience.

Available in PDF format
[English(.pdf)] [Vietnamese(.pdf)]


Chiều chiều ra đứng ngõ sau
Trông về quê Ngoại ruột đau chín chiều.

Sinh ra và lớn lên tại thành phố Sài Gòn, tôi chưa bao giờ từng được về thăm quê Ngoại Tân An ở Long An, một tỉnh nông nghiệp miền Nam Việt Nam thuộc vùng đồng bằng sông Cửu Long.

Nhưng, hình ảnh của những cánh đồng lúa phì nhiêu, vườn cây ăn trái xum xuê và con đường làng đất bụi đã in sâu vào trong tiềm thức. Mỗi khi hồi tưởng lại những hình ảnh trên thì nó đem lại cho tôi một cảm giác rất gần gũi và thân thương.

Có một lần, má tôi và tôi được mời về thăm quê mẹ của một người quen ở Mỹ Tho thuộc tỉnh Tiền Giang. Đi xe thồ, hái vú sữa và tắm mương là những kỷ niệm đẹp của một ngày dã ngọai. Về đến nhà, tôi luôn khao khát là một ngày nào đó tôi sẽ có dịp sống một cuộc sống êm đềm trong một không gian yên tịnh nơi đồng quê.

Trở lại với cuộc sống hiện tại giữa lòng thành phố Sài Gòn ồn ào và náo nhiệt lúc bấy giờ, tôi chỉ biết được quê Ngoại qua những câu chuyện hồi xửa hồi xưa mà ngoại tôi thường kể. Nào là chuyện ngoại đi gánh gạo bán lúc trời còn tờ mờ sáng, chuyện con ma vú dài lúc về đêm, vân vân và vân vân. Và giờ đây theo lời kể lại của má tôi, tôi được biết thêm là nhà của gia đình ngoại khi xưa ở gần cầu Vàm…

Vỏn vẹn bấy nhiêu vốn liếng ít ỏi của sự hiểu biết về quê Ngoại, tôi thật sự trân quý những gì mà mình tìm hiểu được. Và tôi ghi lại đây cho các cháu tôi nay được sinh ra và lớn lên tại Hợp Chủng Quốc Hoa Kỳ và mong muốn các cháu của tôi biết đến một nơi mà khi các cháu lớn lên các cháu có thể trở về thăm lại cội nguồn.


Writer’s Notes
After years of training to dream, think, speak and write all in English, getting back to write things in Vietnamese presents a bit of a challenge because it has been a while since I wrote in my own native language. “Que Ngoai” is the first piece of writing on Happinest Daily which is deemed appropriate to be written in Vietnamese.

Rather than doing a direct translation from English to Vietnamese, I kept the originality of the writing by bringing about my thoughts in Vietnamese instead of in English. As for the English version, I wrote it separately, yet still keeping most main ideas. As a result, it turns out to be a slight variation from the original that serves as a rough translation for the Vietnamese counterpart.
PLEASE RESPECT ONE'S WORK BY CITING THE ORIGINAL SOURCE.